In 1916, Pound wrote about the process of writing the poem (Pound, Gaudier-Brzeska, 1916). Apparently, he originally thought he could best capture his vision in a painting. Unfortunately, he wasn’t a painter. Kind of a problem. So he wrote a 30-line poem, which he didn’t like. He pitched the long version in the waste bin. Six months later, he wrote a shorter poem, but didn’t like that one either and threw it away. Finally, a full year after the experience, he had been reading short Japanese poems called haikus, and he figured he would try to adapt this form to his vision in the metro. The result, which was published in 1913, is one the most famous, influential, and haunting works in modern poetry