Contemporary critical reception[edit]
At the Seventh Impressionist Exhibition in 1882, the painting generally received praise from critics. "It is fresh and free without being too bawdy," wrote Paul de Charry in Le Pays, March 10, 1882. In La Vie Moderne (March 11, 1882), Armand Silvestre wrote, "...one of the best things [Renoir] has painted...There are bits of drawing that are completely remarkable, drawing- true drawing- that is a result of the juxtaposition of hues and not of line. It is one of the most beautiful pieces that this insurrectionist art by Independent artists has produced." Alternately, Le Figaro published Albert Wolff's comment on March 2, 1882: "If he had learned to draw, Renoir would have a very pretty picture...