00:48:00:# Hannah Montana|does the African savanna
00:48:06:# As the simulated rainy season begins
00:48:14:# She curses the queue at the Zulu
00:48:19:# Moves on to Amazonia|and cries with the dolphins
00:48:29:# Can you feel my heartbeat?
00:48:33:# Can you feel my heartbeat?
00:48:39:# Can you feel my heartbeat?
00:48:43:# Mama ate the pygmy
00:48:46:# The pygmy ate the monkey
00:48:49:# The monkey's got a gift, man
00:48:52:# And he's sending it out to you
00:48:57:# A little bit of smallpox
00:49:00:# A little bit of flu|Here come the missionary
00:49:04:# He's saving them savages|with the Higgs boson blues
00:49:09:# Yeah
00:49:11:# But can you feel my heartbeat?
00:49:13:# Yeah, can you feel my heartbeat?
00:49:17:# Can you feel my heartbeat?
00:49:21:# Yeah, I'm driving my car
00:49:23:# I wanna feel your heartbeat
00:49:25:# I kiss your lips
00:49:29:# I kiss your lips
00:49:31:# Feel you deep inside
00:49:34:# Waiting for me in Geneva... #
00:49:38:Ssh!
00:49:40:# Waiting in Geneva
00:49:43:# Waiting for me in Geneva... #
00:49:47:OK.
00:49:49:Ssh!
00:49:53:# Ah, let the damn day break
00:49:57:# Rainy days always make me sad... #
00:50:06:Ssh!
00:50:08:# Miley Cyrus floats in a swimming pool|in Toluca Lake
00:50:14:# And you're the best girl I ever had
00:50:23:# I can't remember anything at all. #
00:50:39:NICK: Who knows their own story?
00:50:42:Certainly, it makes no sense|when we are living in the midst of it.
00:50:47:It's all just clamour and confusion.
00:50:50:It only becomes a story|when we tell it and retell it.
00:50:55:Our small precious recollections
00:50:57:that we speak again and again|to ourselves or to others.
00:51:03:First, creating the narrative of our lives
00:51:06:and then keeping the story|from dissolving into darkness.
00:51:11:- Hello?|- JANINE: We're over here.
00:51:15:Hi. What are we doing?
00:51:17:Do you mind if we go through some|of the photos your mother just sent us?
00:51:21:- Hey, are you in this picture?|- Where are you?
00:51:23:- We...we can't actually identify you.|- Well...
00:51:26:- Can you...|- Yeah, I can see me.
00:51:28:See that one with the ears,|singing their little heart out?
00:51:30:- JANINE: What, this kid?|- NICK: Yeah.
00:51:33:The one that's got "star"|written all over him.
00:51:35:(THEY LAUGH)
00:51:38:JANINE: What else has Dawn sent over?
00:51:40:I'm that guy with the beard|and the dog collar.
00:51:44:JANINE: Is that you there?
00:51:46:NICK: Yeah. Gloomy, gloomy, gloomy.
00:51:48:(JANINE LAUGHS)
00:51:51:Yeah, I think that's from the high school
00:51:54:- where I lived in the country town...|- Right, so Wangaratta.
00:51:56:- Wangaratta High School, yeah...|- Northern Caulfield, yeah.
00:51:58:...and we had this barber|that my mother used to fucking hate
00:52:03:and, er...we all used to have this...|get the same haircut.
00:52:05:He used to cut everyone|in Wangaratta's hair the same.
00:52:08:He used to cut an angled fringe like that,|because he thought you'd flick it back.
00:52:13:But everyone just walked around|with these things, and my mother...
00:52:16:we used to come back and my mother|used to rage against this barber.
00:52:22:That's me as a...l don't know,|a teenager or something.
00:52:25:I was not really into sport|and stuff like that,
00:52:27:and there was a bunch of us that did art,
00:52:30:which basically became|The Boys Next Door.
00:52:33:Oh!
00:52:35:That's, um...Mick Harvey.
00:52:38:That's back when he had good hair,
00:52:40:and that's, um...
00:52:43:that's me in the middle there with them.
00:52:46:That's Tracy Pew.
00:52:48:Tracy was one of those kind of guys|that come out fully formed,
00:52:53:very much like Rowland Howard as well.
00:52:55:You know, they just|sort of appeared, complete.
00:52:58:But he was an amazing bass player,|that guy,
00:53:00:and really the heart and soul|of The Birthday Party.
00:53:06:There he is there.|That's Mick, Rowland.
00:53:09:That's a beautiful photograph, that one.
00:53:14:There's a great photograph of Tracy|being urinated on. Do you have that?
00:53:18:Yeah, we do have that somewhere, don't we?
00:53:22:OK, now, that is a concert|in Cologne in 1981
00:53:28:and I don't know if you can see,|but this guy here is a German person,
00:53:32:and he... That is Mick Harvey,|you can see that classic profile,
00:53:37:and he's...actually,|we're playing King Ink
00:53:39:- because he's playing, er...the drums.|- Snare drum.
00:53:42:He would play the snare drum in that song
00:53:45:and this man here is urinating
00:53:47:and you can see the stream of urine|kind of arcing gracefully down
00:53:53:into the, er...right-hand side|of that picture.
00:53:56:- Can you...can you show the next picture?|- Sure.
00:54:00:And there...there he is urinating.
00:54:02:There is the stream of urine,
00:54:04:and Tracy, noticing that|the German person is urinating
00:54:08:and moving towards the German person.
00:54:11:Can you...
00:54:13:Now Tracy is, er...deciding|to push this person away.
00:54:18:Mick is still playing away over here.
00:54:21:Next.
00:54:22:There you have Mick|still playing away there.
00:54:27:Rowland over there|oblivious to what's going on.
00:54:30:Tracy's stopped playing the bass|altogether and is now punching the guy
00:54:33:and the guy's flying backwards|off the stage.
00:54:37:Yeah, it says a lot about the kind of gigs
00:54:40:that we were doing|with The Birthday Party at that stage,
00:54:43:because we were billed|by some promoter as
00:54:47:the most violent live band in the world.
00:54:49:So, what that meant was|that every skinhead and biker
00:54:56:and general kind of lowlife|and, er...psychopath
00:55:01:came along to these concerts.
00:55:02:It seemed to us,|towards the end of The Birthday Party,
00:55:05:that it had very little to do|with the music any more,
00:55:08:and just people coming along to see
00:55:10:what would happen at that particular gig,|and, er...
00:55:12:we were kind of getting some sort of joy|out of disappointing everybody
00:55:18:by just basically playing|with our backs to the audience
00:55:22:and hunker down together and do these|shows towards...towards the very end.
00:55:31:My last will and testament.
00:55:41:OK, it seems like I wanted all my money,
00:55:44:which was nothing,|I would say, at that time...
00:55:47:(JANINE CHUCKLES)
00:55:48:...to go to the Nick Cave|Memorial Museum...
00:55:52:(LAUGHTER)
00:55:55:...a small but adequate room or rooms
00:55:58:that will serve|as the Nick Cave Memorial Museum.
00:56:02:Yeah, I was always a kind of...|ostentatious bastard.
00:56:07:- JANINE: Do you remember writing it?|- No.
00:56:12:It was...'87 was a, er...|it was a difficult year to remember, '87.
00:56:18:Eighty-anything was difficult|to remember, to be honest.
00:56:23:You know, I shifted around continuously.
00:56:25:I never really had my own place|till quite late in the picture
00:56:29:and I would kind of wear out my welcome|wherever I was staying.
00:56:32:But I would always have a table or a desk
00:56:35:and kind of sweep it off|and stick it in a box.
00:56:38:I guess that's why|there is actually an archive.
00:56:49:That is my bedroom in Berlin
00:56:53:and this room|is just a kind of crawl space, actually,
00:56:55:cos you have to climb up a little ladder|to get into this thing.
00:56:58:You can't actually stand up in here.
00:57:00:So, it was just this wonderful|kind of womb-like space,
00:57:04:which had a mattress where I could sleep,
00:57:06:and this is where I was writing|And The Ass Saw The Angel.
00:57:09:I spent quite a lot of time|at the Berlin flea market,
00:57:13:which happened every Saturday morning,
00:57:15:and I got an incredible kind of collection
00:57:18:of, um...pornography|and religious art and icons in general,
00:57:25:and I came across this chocolate box...
00:57:30:...and opened it up, and inside the|chocolate box, wrapped in tissue paper,
00:57:33:were these three locks,|very long, of hair,
00:57:39:and they were, um...|from different heads, I think,
00:57:43:and that's actually it in the...hanging|there in the photograph there, right?
00:57:47:And hair like this has always been|something that I come back to all the time
00:57:51:in songwriting, actually.
00:57:53:Do you know what this stuff here is?
00:57:56:Are these torn-out pages|or is this your handwriting?
00:57:59:I think they're ripped out of a book|and kind of written into. I don't know.
00:58:07:Um...l don't know.|It's just shit, isn't it?
00:58:11:But important shit...for me, at the time.
00:58:18:I'll tell you an amazing thing|that happened with that room.
00:58:21:I used to leave the door open|and...and I was on the second floor,
00:58:24:and there was this guy called Chris,|he lived on the top floor,
00:58:28:and one day I was writing away at the desk
00:58:29:and...and sort of looked up|and he's standing,
00:58:31:and I could see he was kind of fascinated|by what was on the walls
00:58:36:and he said, "Do you wanna|come up to my room
00:58:39:"and have a look what I've got upstairs?"|Right? And I said, "Yeah, all right."
00:58:42:And so we went up to his, um...|to this little flat he had up the top
00:58:47:and he opened it up,|we went into the living room,
00:58:49:and everywhere there was,|er...nativity stuff from Christmas.
00:58:53:He would make a star and he would|cut it out of fluorescent cardboard,
00:58:57:and then he would cut|another little tiny one out of that
00:59:00:and then another tiny one out of that.
00:59:01:It must have taken an hour or something
00:59:02:to make one of these tiny little...|these little stars,
00:59:05:and there were fucking thousands of them|all over the wall,
00:59:07:and I'm like, "Fuck, man,|this is unbelievable.
00:59:10:"This is like the most beautiful thing,|er...l can imagine.“
00:59:15:And he had all these|sort of glass-topped tables
00:59:18:and he kind of said, "Check this out,"|like that, and I'm like, "Mm."
00:59:21:And he turns off the main lights
00:59:23:and then shines these ot
00:48:00:# Hannah Montana|does the African savanna
00:48:06:# As the simulated rainy season begins
00:48:14:# She curses the queue at the Zulu
00:48:19:# Moves on to Amazonia|and cries with the dolphins
00:48:29:# Can you feel my heartbeat?
00:48:33:# Can you feel my heartbeat?
00:48:39:# Can you feel my heartbeat?
00:48:43:# Mama ate the pygmy
00:48:46:# The pygmy ate the monkey
00:48:49:# The monkey's got a gift, man
00:48:52:# And he's sending it out to you
00:48:57:# A little bit of smallpox
00:49:00:# A little bit of flu|Here come the missionary
00:49:04:# He's saving them savages|with the Higgs boson blues
00:49:09:# Yeah
00:49:11:# But can you feel my heartbeat?
00:49:13:# Yeah, can you feel my heartbeat?
00:49:17:# Can you feel my heartbeat?
00:49:21:# Yeah, I'm driving my car
00:49:23:# I wanna feel your heartbeat
00:49:25:# I kiss your lips
00:49:29:# I kiss your lips
00:49:31:# Feel you deep inside
00:49:34:# Waiting for me in Geneva... #
00:49:38:Ssh!
00:49:40:# Waiting in Geneva
00:49:43:# Waiting for me in Geneva... #
00:49:47:OK.
00:49:49:Ssh!
00:49:53:# Ah, let the damn day break
00:49:57:# Rainy days always make me sad... #
00:50:06:Ssh!
00:50:08:# Miley Cyrus floats in a swimming pool|in Toluca Lake
00:50:14:# And you're the best girl I ever had
00:50:23:# I can't remember anything at all. #
00:50:39:NICK: Who knows their own story?
00:50:42:Certainly, it makes no sense|when we are living in the midst of it.
00:50:47:It's all just clamour and confusion.
00:50:50:It only becomes a story|when we tell it and retell it.
00:50:55:Our small precious recollections
00:50:57:that we speak again and again|to ourselves or to others.
00:51:03:First, creating the narrative of our lives
00:51:06:and then keeping the story|from dissolving into darkness.
00:51:11:- Hello?|- JANINE: We're over here.
00:51:15:Hi. What are we doing?
00:51:17:Do you mind if we go through some|of the photos your mother just sent us?
00:51:21:- Hey, are you in this picture?|- Where are you?
00:51:23:- We...we can't actually identify you.|- Well...
00:51:26:- Can you...|- Yeah, I can see me.
00:51:28:See that one with the ears,|singing their little heart out?
00:51:30:- JANINE: What, this kid?|- NICK: Yeah.
00:51:33:The one that's got "star"|written all over him.
00:51:35:(THEY LAUGH)
00:51:38:JANINE: What else has Dawn sent over?
00:51:40:I'm that guy with the beard|and the dog collar.
00:51:44:JANINE: Is that you there?
00:51:46:NICK: Yeah. Gloomy, gloomy, gloomy.
00:51:48:(JANINE LAUGHS)
00:51:51:Yeah, I think that's from the high school
00:51:54:- where I lived in the country town...|- Right, so Wangaratta.
00:51:56:- Wangaratta High School, yeah...|- Northern Caulfield, yeah.
00:51:58:...and we had this barber|that my mother used to fucking hate
00:52:03:and, er...we all used to have this...|get the same haircut.
00:52:05:He used to cut everyone|in Wangaratta's hair the same.
00:52:08:He used to cut an angled fringe like that,|because he thought you'd flick it back.
00:52:13:But everyone just walked around|with these things, and my mother...
00:52:16:we used to come back and my mother|used to rage against this barber.
00:52:22:That's me as a...l don't know,|a teenager or something.
00:52:25:I was not really into sport|and stuff like that,
00:52:27:and there was a bunch of us that did art,
00:52:30:which basically became|The Boys Next Door.
00:52:33:Oh!
00:52:35:That's, um...Mick Harvey.
00:52:38:That's back when he had good hair,
00:52:40:and that's, um...
00:52:43:that's me in the middle there with them.
00:52:46:That's Tracy Pew.
00:52:48:Tracy was one of those kind of guys|that come out fully formed,
00:52:53:very much like Rowland Howard as well.
00:52:55:You know, they just|sort of appeared, complete.
00:52:58:But he was an amazing bass player,|that guy,
00:53:00:and really the heart and soul|of The Birthday Party.
00:53:06:There he is there.|That's Mick, Rowland.
00:53:09:That's a beautiful photograph, that one.
00:53:14:There's a great photograph of Tracy|being urinated on. Do you have that?
00:53:18:Yeah, we do have that somewhere, don't we?
00:53:22:OK, now, that is a concert|in Cologne in 1981
00:53:28:and I don't know if you can see,|but this guy here is a German person,
00:53:32:and he... That is Mick Harvey,|you can see that classic profile,
00:53:37:and he's...actually,|we're playing King Ink
00:53:39:- because he's playing, er...the drums.|- Snare drum.
00:53:42:He would play the snare drum in that song
00:53:45:and this man here is urinating
00:53:47:and you can see the stream of urine|kind of arcing gracefully down
00:53:53:into the, er...right-hand side|of that picture.
00:53:56:- Can you...can you show the next picture?|- Sure.
00:54:00:And there...there he is urinating.
00:54:02:There is the stream of urine,
00:54:04:and Tracy, noticing that|the German person is urinating
00:54:08:and moving towards the German person.
00:54:11:Can you...
00:54:13:Now Tracy is, er...deciding|to push this person away.
00:54:18:Mick is still playing away over here.
00:54:21:Next.
00:54:22:There you have Mick|still playing away there.
00:54:27:Rowland over there|oblivious to what's going on.
00:54:30:Tracy's stopped playing the bass|altogether and is now punching the guy
00:54:33:and the guy's flying backwards|off the stage.
00:54:37:Yeah, it says a lot about the kind of gigs
00:54:40:that we were doing|with The Birthday Party at that stage,
00:54:43:because we were billed|by some promoter as
00:54:47:the most violent live band in the world.
00:54:49:So, what that meant was|that every skinhead and biker
00:54:56:and general kind of lowlife|and, er...psychopath
00:55:01:came along to these concerts.
00:55:02:It seemed to us,|towards the end of The Birthday Party,
00:55:05:that it had very little to do|with the music any more,
00:55:08:and just people coming along to see
00:55:10:what would happen at that particular gig,|and, er...
00:55:12:we were kind of getting some sort of joy|out of disappointing everybody
00:55:18:by just basically playing|with our backs to the audience
00:55:22:and hunker down together and do these|shows towards...towards the very end.
00:55:31:My last will and testament.
00:55:41:OK, it seems like I wanted all my money,
00:55:44:which was nothing,|I would say, at that time...
00:55:47:(JANINE CHUCKLES)
00:55:48:...to go to the Nick Cave|Memorial Museum...
00:55:52:(LAUGHTER)
00:55:55:...a small but adequate room or rooms
00:55:58:that will serve|as the Nick Cave Memorial Museum.
00:56:02:Yeah, I was always a kind of...|ostentatious bastard.
00:56:07:- JANINE: Do you remember writing it?|- No.
00:56:12:It was...'87 was a, er...|it was a difficult year to remember, '87.
00:56:18:Eighty-anything was difficult|to remember, to be honest.
00:56:23:You know, I shifted around continuously.
00:56:25:I never really had my own place|till quite late in the picture
00:56:29:and I would kind of wear out my welcome|wherever I was staying.
00:56:32:But I would always have a table or a desk
00:56:35:and kind of sweep it off|and stick it in a box.
00:56:38:I guess that's why|there is actually an archive.
00:56:49:That is my bedroom in Berlin
00:56:53:and this room|is just a kind of crawl space, actually,
00:56:55:cos you have to climb up a little ladder|to get into this thing.
00:56:58:You can't actually stand up in here.
00:57:00:So, it was just this wonderful|kind of womb-like space,
00:57:04:which had a mattress where I could sleep,
00:57:06:and this is where I was writing|And The Ass Saw The Angel.
00:57:09:I spent quite a lot of time|at the Berlin flea market,
00:57:13:which happened every Saturday morning,
00:57:15:and I got an incredible kind of collection
00:57:18:of, um...pornography|and religious art and icons in general,
00:57:25:and I came across this chocolate box...
00:57:30:...and opened it up, and inside the|chocolate box, wrapped in tissue paper,
00:57:33:were these three locks,|very long, of hair,
00:57:39:and they were, um...|from different heads, I think,
00:57:43:and that's actually it in the...hanging|there in the photograph there, right?
00:57:47:And hair like this has always been|something that I come back to all the time
00:57:51:in songwriting, actually.
00:57:53:Do you know what this stuff here is?
00:57:56:Are these torn-out pages|or is this your handwriting?
00:57:59:I think they're ripped out of a book|and kind of written into. I don't know.
00:58:07:Um...l don't know.|It's just shit, isn't it?
00:58:11:But important shit...for me, at the time.
00:58:18:I'll tell you an amazing thing|that happened with that room.
00:58:21:I used to leave the door open|and...and I was on the second floor,
00:58:24:and there was this guy called Chris,|he lived on the top floor,
00:58:28:and one day I was writing away at the desk
00:58:29:and...and sort of looked up|and he's standing,
00:58:31:and I could see he was kind of fascinated|by what was on the walls
00:58:36:and he said, "Do you wanna|come up to my room
00:58:39:"and have a look what I've got upstairs?"|Right? And I said, "Yeah, all right."
00:58:42:And so we went up to his, um...|to this little flat he had up the top
00:58:47:and he opened it up,|we went into the living room,
00:58:49:and everywhere there was,|er...nativity stuff from Christmas.
00:58:53:He would make a star and he would|cut it out of fluorescent cardboard,
00:58:57:and then he would cut|another little tiny one out of that
00:59:00:and then another tiny one out of that.
00:59:01:It must have taken an hour or something
00:59:02:to make one of these tiny little...|these little stars,
00:59:05:and there were fucking thousands of them|all over the wall,
00:59:07:and I'm like, "Fuck, man,|this is unbelievable.
00:59:10:"This is like the most beautiful thing,|er...l can imagine.“
00:59:15:And he had all these|sort of glass-topped tables
00:59:18:and he kind of said, "Check this out,"|like that, and I'm like, "Mm."
00:59:21:And he turns off the main lights
00:59:23:and then shines these ot
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