Figure 3 shows that the transformation from notes on the staff
to a weave pattern is one and the same for different notes. For
example the sol note (G note) will have in the weave diagram the
same position as la note (A note), if it is moved up, or as fa note
(F note) if it is moved down. G-flat and G-sharp will have the
same position as G. As a result, several different musical notes,
namely sol (G), la (A), G-flat, G-sharp, A-flat and A-sharp will
have one and the same position in the weave diagram. At first
glance, this fact might provoke confusion, but it creates freedom
in the transformation, which is necessary during the assessment
stage of the generated new pattern.