Christopher Kane started from the original muse, the female form. Setting up life drawing in his studio for his entire team to partake in, Kane translated the resulting lines and curves into a celebration of femininity. “I wanted a feeling of attraction in the collection,” he said. Envisioned in red, blue and black, woman were silhouetted on sheath dresses and skirts, while sheer panels fluttered and curved between velvet. Drawn details were abstracted into swirling patterns of glittery lines on sheer tulle and then took shape into electrifying zig-zags over black lace.