Such freedoms improve learning management, but they require structures. Your job is to provide frameworks that allow freedom. Without banks, there is no river. One of the emphasis shifts here is from content to process. Does a child really need to know about a particular price of music; or does he need to know how we think and talk about music in general? Either can read to the other; either may be your prime objective; but the lesson which focuses on the latter process of talking about music – the generic concepts, skills and language – can use diverse music chosen variously by pupils, which is subjected to a common analysis framework created by you. They are likely to be more interested. And, given the comparisons and classroom exchanges made possible by this approach – the spread of musical styles, all nevertheless susceptible to the shared analytical activity – they are going to learn about more than one piece of music. They are going to learn how we talk about music in general and how apparent disparities are actually underpinned by common structures. This is a good maxim for out teaching out teaching. We will discuss it further in Chapter 5.