The architect, in the "Four Compositions," says that his conception of volume in his designs comes from his solid modelling. Stein's house, according to this thinking, is part of the second type that says, "The second shows an understanding of the organisms inside the rigid packaging, absolutely pure. The difficult problem, perhaps to the delight of the mind, is the cost to spiritual energy tied in the middle of the restrictions imposed."
This is an exercise in which the intuition of the exterior of the building is secondary to the space and functional elements. In the imposition of classical reminiscences, this is resolved based on criteria established by the previous ideology of the Modern Movement.