live
.
Love,
Will
A tear had plopped on to the rickety table in front of me. I wiped at my cheek with my palm, and put the letter down on the table. It took me some minutes to see clearly again.
‘Another coffee?’ said the waiter, who had reappeared in front of me.
I blinked at him. He was younger than I had thought, and had dropped his faint air of haughtiness. Perhaps Parisian waiters were trained to be kind to weeping women in their cafes.
‘Maybe … a cognac?’ He glanced at the letter and smiled, with something resembling understanding.
‘No,’ I said, smiling back. ‘Thank you. I’ve … I’ve got things to do.’
I paid the bill, and tucked the letter carefully into my pocket.
And stepping out from behind the table, I straightened my bag on my shoulder and set off down the street towards the parfumerie and the whole of Paris beyond.
Acknowledgements
Thank you to my agent, Sheila Crowley at Curtis Brown, and to my editor, Mari Evans at Penguin, both of whom immediately saw this book for what it is – a love story.
Special thanks to Maddy Wickham, who encouraged me at a point when I was not sure whether I could, or should, actually write it.
Thanks to the wonderful team at Curtis Brown, especially Jonny Geller, Tally Garner, Katie McGowan, Alice Lutyens and Sarah Lewis, for enthusiasm and fine agenting.
At Penguin, I would also particularly like to thank Louise Moore, Clare Ledingham and Shân Morley Jones.
Huge gratitude to all on the Writersblock board – my own private Fight Club. Minus the Fighty bit.
Similarly to India Knight, Sam Baker, Emma Beddington, Trish Deseine, Alex Heminsley, Jess Ruston, Sali Hughes, Tara Manning and Fanny Blake.
Thanks to Lizzie and Brian Sanders, and to Jim, Bea and Clemmie Moyes. But most of all, as ever, to Charles, Saskia, Harry and Lockie.
Q&A with Jojo
1. Tell us a little about where your ideas for your characters and their stories come from.
They come from all over the place. It’s often a snippet of conversation or a news story that just lodges in my head and won’t go away. Sometimes I get an idea for a character too, and then unconsciously start knitting them together. Me Before You is the most ‘high concept’ book I’ve ever written – in that I could describe it in two sentences. But most of them are a lot more organic, and just contain lots of ideas and things that I’ve pulled together. With this book I think the issue of quality of life was probably to the front of my mind as I have/had two relatives who were facing life in care homes, and I know that in one case she would probably have chosen any alternative to that existence.
2. Which of the characters in Me Before You do you identify with the most?
Well, there’s definitely a bit of Lou in there. I did have a pair of stripy tights that I loved as a child! I think you have to identify with all your characters to some extent, or they just don’t come off the page properly. But I also identify with Camilla a bit. As a mother I can’t imagine the choice she has to make, and I could imagine in those circumstances you would just shut down a bit emotionally.
3. What made you choose to set Me Before You in a small historical town with a castle at its centre?
I tried all sorts of settings for this book. I drove all over Scotland, trying to find a castle and a small town that would ‘fit’. It was essential that Lou came from a small town, rather than a city, because I live in one myself and I’m fascinated by the way that growing up in one can be the greatest comfort – and also incredibly stifling. I wanted a castle because it was the purest example of old money rubbing up against ordinary people. Britain is still incredibly hide-bound by class, and we only really notice it when we go somewhere that it doesn’t exist in the same way, like the US or Australia. I needed the class difference between Will and Lou to be clear.
4. Me Before You deals with a very sensitive subject matter – a person’s right to die. Did you find this difficult to write about? What made you decide to write about this subject?
A few years ago I heard about the case of Daniel James, a young rugby player who was paralysed and persuaded his parents to let him go to Dignitas. I was horrified by this case initially – what mother could do that? – but the more I read about it I realised that these issues are not black and white. Who is to say what your quality of life should mean? How do you face living a life that is so far from what you had chosen? What do you do as a parent if your child is really determined to die? And living as a quadriplegic is not just a matter of sitting in a chair – it’s a constant battle against pain and infection, as well as the mental challenges. So these issues refused to go away. And I do believe you have to write the book that is burning inside you, even if it’s not the most obvious book for the market.
In fact I wrote Me Before You without a publishing contract – and I wasn’t entirely convinced it