http://www.monarcstudios.com/wp-content/gallery/antonygormley/antonygormley_-5.jpg
” LONDON – 28 NOVEMBER 2012 – 10 FEBRUARY 2013: WHITE CUBE BERMONDSEY PRESENTS ‘MODEL’, AN EXHIBITION OF MAJOR NEW WORKS BY ANTONY GORMLEY. CHALLENGING THE PHYSICAL POSSIBILITIES OF THE GALLERY SPACE, THIS AMBITIOUS EXHIBITION INVESTIGATES OUR EXPERIENCE OF ARCHITECTURE THROUGH THE BODY AND OF THE BODY THROUGH ARCHITECTURE. MADE IN DIRECT RESPONSE TO THE SPACE OF THE SOUTH GALLERIES IS THE VAST, NEW WORK MODEL (2012), WHICH IS ALSO THE TITLE OF THE EXHIBITION. FABRICATED FROM 100 TONNES OF WEATHERING SHEET STEEL, THE WORK IS BOTH SCULPTURE AND BUILDING, HUMAN IN FORM BUT AT NO POINT VISIBLE AS A TOTAL FIGURE. VISITORS WILL BE ABLE TO ENTER THE WORK THROUGH A ‘FOOT’ AND JOURNEY THROUGH ITS INTER-CONNECTED INTERNAL CHAMBERS, THE SCULPTURE DEMANDING THAT WE ADJUST OUR PACE AND BEND OUR BODIES TO ITS AWKWARD YET ABSOLUTE GEOMETRY. THE EXPERIENCE OF THIS ANALOGY FOR THE ‘DARK INTERIOR OF THE BODY’ IS GUIDED BY ANTICIPATION AND MEMORY AND THE DIRECT AND INDIRECT LIGHT WHICH PENETRATES THE STRUCTURE AND WHICH LEADS US ON, AS IF THROUGH A LABYRINTH.
THESE WORKS, TOGETHER WITH A SERIES OF NEW EXPANSION PIECES, CREATE AN EXHIBITION WHICH POWERFULLY EXTENDS GORMLEY’S EXPLORATION OF THE BODY AS A SITE OF TRANSFORMATION. “
http://www.monarcstudios.com/wp-content/gallery/antonygormley/antonygormley_-5.jpg” LONDON – 28 NOVEMBER 2012 – 10 FEBRUARY 2013: WHITE CUBE BERMONDSEY PRESENTS ‘MODEL’, AN EXHIBITION OF MAJOR NEW WORKS BY ANTONY GORMLEY. CHALLENGING THE PHYSICAL POSSIBILITIES OF THE GALLERY SPACE, THIS AMBITIOUS EXHIBITION INVESTIGATES OUR EXPERIENCE OF ARCHITECTURE THROUGH THE BODY AND OF THE BODY THROUGH ARCHITECTURE. MADE IN DIRECT RESPONSE TO THE SPACE OF THE SOUTH GALLERIES IS THE VAST, NEW WORK MODEL (2012), WHICH IS ALSO THE TITLE OF THE EXHIBITION. FABRICATED FROM 100 TONNES OF WEATHERING SHEET STEEL, THE WORK IS BOTH SCULPTURE AND BUILDING, HUMAN IN FORM BUT AT NO POINT VISIBLE AS A TOTAL FIGURE. VISITORS WILL BE ABLE TO ENTER THE WORK THROUGH A ‘FOOT’ AND JOURNEY THROUGH ITS INTER-CONNECTED INTERNAL CHAMBERS, THE SCULPTURE DEMANDING THAT WE ADJUST OUR PACE AND BEND OUR BODIES TO ITS AWKWARD YET ABSOLUTE GEOMETRY. THE EXPERIENCE OF THIS ANALOGY FOR THE ‘DARK INTERIOR OF THE BODY’ IS GUIDED BY ANTICIPATION AND MEMORY AND THE DIRECT AND INDIRECT LIGHT WHICH PENETRATES THE STRUCTURE AND WHICH LEADS US ON, AS IF THROUGH A LABYRINTH.THESE WORKS, TOGETHER WITH A SERIES OF NEW EXPANSION PIECES, CREATE AN EXHIBITION WHICH POWERFULLY EXTENDS GORMLEY’S EXPLORATION OF THE BODY AS A SITE OF TRANSFORMATION. “
การแปล กรุณารอสักครู่..
