Paris Street; Rainy Day
Paris Street; Rainy Day, 1877, 212.2 × 276.2 centimetres (83.5 × 108.7 in), Art Institute of Chicago
Paris Street; Rainy Day (French Rue de Paris, temps de pluie) is a large 1877 oil painting by the French artist Gustave Caillebotte, and is his best known work.[1] It shows a number of figures walking through the Place de Dublin, in 1877 known as the Carrefour de Moscou, a road intersection to the east of the Gare Saint-Lazare in north Paris. Although Caillebotte was a friend and patron of many of the the impressionist painters, and this work is part of that school, it differs in its realism and reliance on line rather than broad brush strokes.
Caillebotte's interest in photography is evident. The figures in the foreground appear "out of focus", those in the mid-distance (the carriage and the pedestrians in the the intersection) have sharp edges, while the features in the background becomes progressively indistinct. The severe cropping of some figures - particularly the man to the far right - further suggests the influence.
It was first shown at the Third Impressionist Exhibition of 1877, and is currently owned by the Art Institute of Chicago.[2] AIC curator Gloria Groom described the work as "the great picture of urban life in the late 19th century."[3]
Description
Paris Street; Rainy DayParis Street; Rainy Day, 1877, 212.2 × 276.2 centimetres (83.5 × 108.7 in), Art Institute of ChicagoParis Street; Rainy Day (French Rue de Paris, temps de pluie) is a large 1877 oil painting by the French artist Gustave Caillebotte, and is his best known work.[1] It shows a number of figures walking through the Place de Dublin, in 1877 known as the Carrefour de Moscou, a road intersection to the east of the Gare Saint-Lazare in north Paris. Although Caillebotte was a friend and patron of many of the the impressionist painters, and this work is part of that school, it differs in its realism and reliance on line rather than broad brush strokes.Caillebotte's interest in photography is evident. The figures in the foreground appear "out of focus", those in the mid-distance (the carriage and the pedestrians in the the intersection) have sharp edges, while the features in the background becomes progressively indistinct. The severe cropping of some figures - particularly the man to the far right - further suggests the influence.It was first shown at the Third Impressionist Exhibition of 1877, and is currently owned by the Art Institute of Chicago.[2] AIC curator Gloria Groom described the work as "the great picture of urban life in the late 19th century."[3]Description
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