And perhaps Mischievous Excitement might be a more public title for this collection, because Yamamoto transformed the trendy and transitory into something a bit more substantial: In its fresh use of flouro; in those casually abstracted layered looks; the architectural slatted structures; the digitized camo prints on chiffon tailoring; the terrific, perverse knitwear; the bell-meets-kimono-sleeve shirtdresses—there is, in short, much to choose from. The collection came to an end with lights flicked off, one by one, and the focus on a gang of girls in white shirts and black skirts, worn with the rough-and-tumble attitude of the British comprehensive school uniform. The separated sleeves were back from the beginning, this time without their jackets. In anyone else's hands, all of this might have looked tricky; in Yamamoto's, it just felt so fresh and easy.