The image system in
Oldboy
also uses repetition to show character growth and change. Figure 15 shows Dae-su at the beginning of the film, holding a picture of his family while drunk at a police station; during his final confrontation with Woo-jin, that composition is repeated when he shows him the picture his sister took seconds before her suicide (figure 16). This time, however, Dae-su looks focused, deter-mined, and threatening. He has essentially become a new man, transformed by his ordeal, a change that is also re-flected by the blood red shirt he wears here instead of the white shirt he wore at the police station. These two shots also summarize Dae-su’s arc in the story: he goes from liv-ing an inconsequential and carefree life to living a life filled with purpose (revenge), from taking his family for granted (he gets drunk and arrested on his daughter’s birthday) to making them the focus of his life (he plans to avenge his wife’s murder and eventually reunite with his daughter), from being an out of shape businessman to becoming a one-man killing machine
The image system inOldboy also uses repetition to show character growth and change. Figure 15 shows Dae-su at the beginning of the film, holding a picture of his family while drunk at a police station; during his final confrontation with Woo-jin, that composition is repeated when he shows him the picture his sister took seconds before her suicide (figure 16). This time, however, Dae-su looks focused, deter-mined, and threatening. He has essentially become a new man, transformed by his ordeal, a change that is also re-flected by the blood red shirt he wears here instead of the white shirt he wore at the police station. These two shots also summarize Dae-su’s arc in the story: he goes from liv-ing an inconsequential and carefree life to living a life filled with purpose (revenge), from taking his family for granted (he gets drunk and arrested on his daughter’s birthday) to making them the focus of his life (he plans to avenge his wife’s murder and eventually reunite with his daughter), from being an out of shape businessman to becoming a one-man killing machine
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The image system in
Oldboy
also uses repetition to show character growth and change. Figure 15 shows Dae-su at the beginning of the film, holding a picture of his family while drunk at a police station; during his final confrontation with Woo-jin, that composition is repeated when he shows him the picture his sister took seconds before her suicide (figure 16). This time, however, Dae-su looks focused, deter-mined, and threatening. He has essentially become a new man, transformed by his ordeal, a change that is also re-flected by the blood red shirt he wears here instead of the white shirt he wore at the police station. These two shots also summarize Dae-su’s arc in the story: he goes from liv-ing an inconsequential and carefree life to living a life filled with purpose (revenge), from taking his family for granted (he gets drunk and arrested on his daughter’s birthday) to making them the focus of his life (he plans to avenge his wife’s murder and eventually reunite with his daughter), from being an out of shape businessman to becoming a one-man killing machine
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