This group of individuals may also compose the 45% of museum visitors who consume culture both online and offline . However, we could challenge the set of activities that are included in our scale (attendance at theaters, opera, concerts, cinema, monuments, and museums), as these activities are not always relevant for assessing cultural activities.
More precisely, DiMaggio and Mukhtar found that arts participation is evolving: ‘‘a change is occurring in the composition
of artistic cultural capital in response to societal trends toward multiculturalism and greater inclusivity’’. DiMaggio and
Mukhtar argued that some traditional activities are in decline, such as ballet, while new activities, such as computer games and Internet, are increasing. Hence, our scale of experience with cultural activities could be enriched by these elements.