These face the main ubosot which sits in a cloister with large pavilions on each of the four sides. Each of the pavilions contains a Buddha image set up in a different style. The pavilion facing the royal chedis is a bit larger than the others, and behind the Buddha image is a small museum. Note, however, that you can't get through any of these pavilions into the cloister.
To get to the ubosot, you need to walk round to the south side of the cloister and enter through one of the doors on either side of the pavilion on that side. The cloister is a double-ringed affair housing nearly 400 Buddha images, with the ubosot in the middle. Before entering the ubosot, note the gray stone plaques around the base. These illustrate the Ramakien, the Thai version of the Hindu epic, the Ramayama, in 152 plaques. The stones were recovered from a temple in Ayutthaya and installed here by Rama I. Rubbings on these plaques used to be hawked relentlessly just outside the temple walls, but seem to have gone out of fashion.
These face the main ubosot which sits in a cloister with large pavilions on each of the four sides. Each of the pavilions contains a Buddha image set up in a different style. The pavilion facing the royal chedis is a bit larger than the others, and behind the Buddha image is a small museum. Note, however, that you can't get through any of these pavilions into the cloister.To get to the ubosot, you need to walk round to the south side of the cloister and enter through one of the doors on either side of the pavilion on that side. The cloister is a double-ringed affair housing nearly 400 Buddha images, with the ubosot in the middle. Before entering the ubosot, note the gray stone plaques around the base. These illustrate the Ramakien, the Thai version of the Hindu epic, the Ramayama, in 152 plaques. The stones were recovered from a temple in Ayutthaya and installed here by Rama I. Rubbings on these plaques used to be hawked relentlessly just outside the temple walls, but seem to have gone out of fashion.
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