Nick Payne's 45-minute monologue, which he performs himself, builds into a moving meditation on how we could better help the dying to die.
It's structured on the interweaving principle that the young dramatist has employed with such musical and thematic eloquence in his award-winning play Constellations and in the recent Incognito.
The piece begins and ends with the fictional case of Maggie Noonan from Milton Keynes who, struck down by degenerative disease, has reached the point where she wants her life to end.