Places can be considered as things that can be sensed rather than defined. Familiar
spaces become places where processes of individual and collective remembrance activate
a past that is lived and enacted, often in ritual, rather than represented (Dean & Millar
2005: 14). In this article, I reflect upon some of these conceptions of landscape with
reference to a rock art site in Tororo, Uganda. The site has lost its significance
archaeologically, but has acquired a new significance as a place of myth and ritual that