The problem with In Time, to the extent that it is a problem, is that an intriguing premise turns into window dressing for a somewhat routine Bonnie & Clyde-meets-Robin Hood action thriller with car chases, heists, and gunplay. Take away the science fiction element and this is a routine story about lovers on the run robbing banks and distributing their ill-gotten gains to legions of the poor. In the end, this concept might work better as a weekly TV series than as a stand-alone movie. 109 minutes isn't sufficient time to delve into the inner workings of this society, and that aspect is what gives In Time an injection of originality. It's a little like Michael Bay's The Island in the way the narrative fails to live up to the promise of its back story
The problem with In Time, to the extent that it is a problem, is that an intriguing premise turns into window dressing for a somewhat routine Bonnie & Clyde-meets-Robin Hood action thriller with car chases, heists, and gunplay. Take away the science fiction element and this is a routine story about lovers on the run robbing banks and distributing their ill-gotten gains to legions of the poor. In the end, this concept might work better as a weekly TV series than as a stand-alone movie. 109 minutes isn't sufficient time to delve into the inner workings of this society, and that aspect is what gives In Time an injection of originality. It's a little like Michael Bay's The Island in the way the narrative fails to live up to the promise of its back story
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