The fight scenes are numerous, and often feature Michael Jai White in a position where he is totally outnumbered. There's one great fight where Falcon takes on five Japanese gangsters simultaneously. The gangsters all wield guns or swords, and Falcon only has his fists and a hard briefcase that he swings around like Thor's hammer. Michael Jai White leaps and spins and kicks, flying through the air, in direct contrast to his morose personality from the opening of the film. It's thrilling. Barbarash does not use a quick-cut editing style for these fight sequences and it's one of the reasons why they all work so well. What you're seeing is good old-fashioned fight choreography (Larnell Stovall was the stunt coordinator and fight choreographer) done brilliantly by world-class people.