Belgian-Congolese artist Kito Mbiango draws from his wide-ranging travels and photographic experience in producing works that reflect the infinite dance between nature and humanity - man’s unity and duality. The world of available ideas and image sources are at his fingertips, collected and connected in large-scaled “transfer painting” and sensually appropriated, reflect the collage and assemblage techniques and tendencies of Rauschenberg in the Postmodern era and beyond. His awe-inspiring universal tapestries excite the imagination by crossing and blurring cultural borders between Eastern and Western spheres of influence.