Photographers have dealt with two cities of color since they could print what they saw. Color film captured light by filtering it through three different colored layers before it reach the light-sensitive silver halide crystals in each layer resting upon the celluloid (plastic). These filters were Red, Green, and Blue. Once developed, the color negative contained varying layers of density of the RGB. Looking at a color negative through a loupe, you can see the reds, greens, and blues.
Color film captured the world in RGB, but a much older form of reproduction had already established its way of displaying color using Cyan, Yellow, Magenta, and Black (CYMK). The printing world, from the moment it could produce color images used the CYMK colorspace to make their color images. Instead of using filters, printers use layers of ink at differing densities to make color.Since these two worlds interact with one another during the capture-to-print workflow, it is important to understand how each relates to the other and the limits of modern digital photographic capture and printing reproduction. Although each can replay the same colors we see, each captures it in very different ways — much like two people speaking different languages
Photographers have dealt with two cities of color since they could print what they saw. Color film captured light by filtering it through three different colored layers before it reach the light-sensitive silver halide crystals in each layer resting upon the celluloid (plastic). These filters were Red, Green, and Blue. Once developed, the color negative contained varying layers of density of the RGB. Looking at a color negative through a loupe, you can see the reds, greens, and blues.Color film captured the world in RGB, but a much older form of reproduction had already established its way of displaying color using Cyan, Yellow, Magenta, and Black (CYMK). The printing world, from the moment it could produce color images used the CYMK colorspace to make their color images. Instead of using filters, printers use layers of ink at differing densities to make color.Since these two worlds interact with one another during the capture-to-print workflow, it is important to understand how each relates to the other and the limits of modern digital photographic capture and printing reproduction. Although each can replay the same colors we see, each captures it in very different ways — much like two people speaking different languages
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