Tony Cragg, New Stones – Newton’s Tones, 1978
In Tony Cragg’s seminal work ‘New Stones – Newton’s Tones’, plastic debris is arranged by colour category on the gallery floor. Cragg suggests that physical matter, and the break-up and re-ordering of it, is fundamental to our experience of the world and that it literally grounds us in our understanding of self. Cragg’s prolific and internationally acclaimed output has profoundly influenced contemporary sculptural