MARLEY was dead, to begin with. There is no doubt whatever about
that. The register of his burial was signed by the clergyman, the clerk,
the undertaker, and the chief mourner. Scrooge signed it. And
Scrooge’s name was good upon ’Change, for anything he chose to put
his hand to.
Old Marley was as dead as a door-nail.
Mind! I don’t mean to say that I know, of my own knowledge,
what there is particularly dead about a door-nail. I might have been
inclined, myself, to regard a coffin-nail as the deadest piece of
ironmongery in the trade. But the wisdom of our ancestors is in the
simile; and my unhallowed hands shall not disturb it, or the Country’s
done for. You will therefore permit me to repeat, emphatically, that
Marley was as dead as a door-nail.
Scrooge knew he was dead? Of course he did. How could it be
otherwise? Scrooge and he were partners for I don’t know how many
years. Scrooge was his sole executor, his sole administrator, his sole
assign, his sole residuary legatee, his sole friend, and sole mourner.
And even Scrooge was not so dreadfully cut up by the sad event, but
that he was an excellent man of business on the very day of the
funeral, and solemnised it with an undoubted bargain.
The mention of Marley’s funeral brings me back to the point I
started from. There is no doubt that Marley was dead. This must be
distinctly understood, or nothing wonderful can come of the story I
am going to relate. If we were not perfectly convinced that Hamlet’s
Father died before the play began, there would be nothing more