Introduction
In recent decades, product packaging has become an increasingly important component of the marketing mix. Packaging aesthetics and preference are key elements when considering packaging’s interface with the consumer. Previous research has demonstrated that each of the different visual design elements on a product’s packaging, such as, for example, its colour(s), shape(s), the style of the typeface, and any written information can all influence consumers’ expectations, perception, and product preference. To date, though, the role of the orientation of any design elements in the context of product packaging has received far less attention.
IntroductionIn recent decades, product packaging has become an increasingly important component of the marketing mix. Packaging aesthetics and preference are key elements when considering packaging’s interface with the consumer. Previous research has demonstrated that each of the different visual design elements on a product’s packaging, such as, for example, its colour(s), shape(s), the style of the typeface, and any written information can all influence consumers’ expectations, perception, and product preference. To date, though, the role of the orientation of any design elements in the context of product packaging has received far less attention.
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