The thrilling opening lines of Coleridge's opium-fuelled fantasy still send a tingle down the spine. As a teenager I was mesmerised by this vision of exotic and mysterious pleasures, but I'd no idea that Coleridge was in fact writing about a historical figure. Because Qubilai Khan is a thirteenth-century Chinese emperor and Xanadu merely the English form of Shangdu, his Imperial summer capital. Qubilai Khan was the grandson of Genghis Khan, ruler of the Mongols from 1206 and terror of the world. Wreaking havoc everywhere, Genghis Khan established the Mongol Empire - a superpower that ran from the Black Sea to the Sea of Japan and from Cambodia to the Arctic. Qubilai Khan, his grandson, extended the Empire and became Emperor of China, which leads us to the objects for this programme.
Under the Mongol emperors, China developed one of the most enduring and successful luxury products in the history of the world, a product fit for stately pleasure-domes, but which spread in a matter of centuries from grand palaces to simple parlours all over the world... it's Chinese blue-and-white porcelain. We now think of blue-and-white as quintessentially Chinese, but as we shall discover, this is not how it began. This archetypal Chinese aesthetic comes in fact from Iran.
"The fascinating thing about these vases is that they are so beautiful and mysterious, and yet they seem tremendously familiar." (Jenny Uglow)
"If you say Chinese porcelain, this is what you think of - this white background and this brilliant blue colour. But it hasn't been there for ever, it was a novelty at this period." (Craig Clunas)