Frames are available in a large range of types, styles, and
colors, all of which can be carefully considered. Black, shades
of brown, and white tend to be the most popular. White,
which was rarely used in the past, is now a popular color
for contemporary work. Box frames, which are deeper than
the standard frame, tend to suggest that the work is historical,
archived or precious, or that the viewer is looking more
deeply into a scene.
WORKING WITH A FRAMER
Framers vary a great deal in their levels of skill, knowledge,
and the sorts of frames they produce. Some are only equipped
to deal with smaller frame sizes or do not dry mount large
works. Some are much better equipped for exhibition production
than others. Costs vary a great deal too. It is well worth
asking around to fi nd a good and reliable framer who has
experience producing work for exhibition, understands deadlines,
and with whom you can establish a good working
relationship. If you use the same framer on a regular basis,
you are more likely to get better service, good advice, lower
costs, and someone who understands your work and will
help out in emergencies and in other ways.