In this work the floor is the logarithmic spiral, adapting itself to the land. Work on the scale model generated many changes to find the volume which required the building.
The creative process has been interesting, recreational, fun ... the best, as The Prince says, it is the process of growing the rose more than the result.
When entering from the outside you go up the stairs and, when getting inside the Nautilus through a big stained-glass window, a space experience is generated as you live the sequence of the distance traveled, where neither the walls nor the floor or the ceiling are parallel. It is a fluid space in three dimensions where you can perceive the
continuous dynamic of the fourth dimension as you walk in spiral on the stairs, with a sense of floating over the vegetation.
Then the tour continues through the hall, past the TV room sheltered in the belly of the crustaceous and, up the
spiral stairs, you come to the studio where you can see the mountain landscape.
At the back of the Nautilus it is the intimate zone and service area.