The traditional Faroese national dress is also a local handicraft which people spend a lot of time, money and effort to assemble. This is worn at weddings, traditional dancing events and on feast days. The cultural significance of the garment should not be under-estimated both as an expression of local and national identity and a passing on and re-enforcing of traditional skills that bind local communities together.
A young Faroese person is normally handed down a set of children's Faroese clothes that is then passed from generation to generation. Children are confirmed at age 14 and normally start to collect the pieces to make an adult outfit which is considered as a rite of passage. Traditionally the aim would have been for the outfit to be completed by the time a young person was ready to marry and would have been worn at the ceremony, although it is mainly only men who do this now.
Each piece is intricately hand-knitted, dyed, woven, or embroidered to the specifications of the wearer. For example the male waistcoat is put together by hand in bright blue, red, or black fine wool. The front is then intricately embroidered with colourful silk threads, often by a female relative. The motifs are often local Faroese flowers or herbs. After this, a row of Faroese made solid silver buttons are sewn on the outfit.
Women wear embroidered silk, cotton, or wool shawls and pinafores that can take months to weave or embroider with local flora and fauna. They are also adorned with a handwoven black and red ankle-length skirt, knitted black and red jumper, a velvet belt, and black 18th Century style shoes with silver buckles. The outfit is held together by a row of solid silver buttons, silver chains and spectacular locally made silver brooches and belt buckles, often fashioned with Viking style motifs.
Both men's and women's national dress are extremely costly and can take many years to assemble. Women in the family often work together to assemble the outfits, including knitting the close-fitting jumpers, weaving and embroidering, sewing and assembling the national dress.
This tradition binds together families, passes on traditional crafts, and re-enforces the Faroese culture of traditional village living within the context of a modern society.The traditional costumes of Denmark, though varying from region to region, date back roughly to the period between 1750 and 1900 when clothes were often home-made from yarn spun from wool or flax. In rural communities, the fabrication of garments for both family members and servants was an important part of everyday life. They were usually made of woolen fabric, woven by the women themselves or by a professional weaver. Many of the patterns, based on a limited range of colours from vegetable dyes, were common to almost all parts of the country. Variations in costume between the regions can best be seen in women's best Sunday attire, especially in the arrangement of the ever present headdress, either in the form of a bonnet or a scarf. The headpiece often consisted of a bonnet, a piece of linen underneath and a scarf to hold it in place, either in broad lace or in embroidered tulle. On the island of Zealand, there was a tradition for trailing bonnets embroidered with gold and silver thread.[2]
yarn spun from wool or flax
The traditional Faroese national dress is also a local handicraft which people spend a lot of time, money and effort to assemble. This is worn at weddings, traditional dancing events and on feast days. The cultural significance of the garment should not be under-estimated both as an expression of local and national identity and a passing on and re-enforcing of traditional skills that bind local communities together.
A young Faroese person is normally handed down a set of children's Faroese clothes that is then passed from generation to generation. Children are confirmed at age 14 and normally start to collect the pieces to make an adult outfit which is considered as a rite of passage. Traditionally the aim would have been for the outfit to be completed by the time a young person was ready to marry and would have been worn at the ceremony, although it is mainly only men who do this now.
Each piece is intricately hand-knitted, dyed, woven, or embroidered to the specifications of the wearer. For example the male waistcoat is put together by hand in bright blue, red, or black fine wool. The front is then intricately embroidered with colourful silk threads, often by a female relative. The motifs are often local Faroese flowers or herbs. After this, a row of Faroese made solid silver buttons are sewn on the outfit.
Women wear embroidered silk, cotton, or wool shawls and pinafores that can take months to weave or embroider with local flora and fauna. They are also adorned with a handwoven black and red ankle-length skirt, knitted black and red jumper, a velvet belt, and black 18th Century style shoes with silver buckles. The outfit is held together by a row of solid silver buttons, silver chains and spectacular locally made silver brooches and belt buckles, often fashioned with Viking style motifs.
Both men's and women's national dress are extremely costly and can take many years to assemble. Women in the family often work together to assemble the outfits, including knitting the close-fitting jumpers, weaving and embroidering, sewing and assembling the national dress.
This tradition binds together families, passes on traditional crafts, and re-enforces the Faroese culture of traditional village living within the context of a modern society.The traditional costumes of Denmark, though varying from region to region, date back roughly to the period between 1750 and 1900 when clothes were often home-made from yarn spun from wool or flax. In rural communities, the fabrication of garments for both family members and servants was an important part of everyday life. They were usually made of woolen fabric, woven by the women themselves or by a professional weaver. Many of the patterns, based on a limited range of colours from vegetable dyes, were common to almost all parts of the country. Variations in costume between the regions can best be seen in women's best Sunday attire, especially in the arrangement of the ever present headdress, either in the form of a bonnet or a scarf. The headpiece often consisted of a bonnet, a piece of linen underneath and a scarf to hold it in place, either in broad lace or in embroidered tulle. On the island of Zealand, there was a tradition for trailing bonnets embroidered with gold and silver thread.[2]
yarn spun from wool or flax
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