The various compositions appear as allegorical visualisations of a specific national
ideology as envisaged by the LRPR: the idea of a brave and solidly united
‘multiethnic people’ with a rich cultural heritage, a nation striving for unity
and independence under the leadership of a progressive party that will ensure
stability and future prosperity. This image is the foundation upon which the
regime establishes its relevance in a globalised modernity, namely as the
guarantor of cultural preservation, socio-political stability and economic
development.