The Malay silat during training and exhibition must normally be accompanied by the silat music, and the musical instruments comprise the drum, the gong and the flute. This is the real silat, with accompaniment of music, without which not.
In the old days, the music played are varied. During a battle or war, music which encourages bravery and to uplift the spirits are played. During training, a different tune is played for different dance movements.
ORIGIN OF SILAT FOUND IN PAHANG
Silat Tari Pulut is essentially the earliest form of Malay silat found in the country, and it has no specific name. Some say it is the origin of the modern silat sendeng.
Subsequently Silat Tari Pulut evolves into other variations and forms, with various names given by the masters and exponents of the variations. Nowadays the name "silat tari pulut" is usually exhibited during ceremonies like Malay weddings and traditional welcoming ceremonies.
Silat Sendeng 2 Beradik originates from Paya Kumbuh, in the Minangkabau district of Sumatra, Indonesia and brought to Malaysia by the two brothers who founded the silat. Currently the silat is being practiced by students in Kampung Paya Luas in Temerloh, Pahang, with its master, Guru Nadzri (Mohd. Nazri Salleh).
Silat Melayu Lok Keris 9 is a silat form using the keris, the main weapon of the past Malay warriors. This silat was originally practiced and performed by royalties, and currently it is being taught and given the name by the exponent and master, Azlan Ghanie, who is also actively promoting the Malay art of self defence, as well as a silat type of exercise known as Senaman Tua.
He is also the publisher and writer of the popular monthly Malaysian martial arts magazine, Seni Beladiri.
Other forms of silat also exist especially in the very remote villages, with members consisting of a few students.
The current law and regulations require that the silat bodies need to be registered as an association or club. Therefore we find that those silat forms with very few members are those which are being practiced in a secretive way in remote areas and are taught only by invitation of the master.
We also can find other forms of silat practiced which are branches of silat from Indonesia such as the pentjak silat.
The Malay silat during training and exhibition must normally be accompanied by the silat music, and the musical instruments comprise the drum, the gong and the flute. This is the real silat, with accompaniment of music, without which not.
In the old days, the music played are varied. During a battle or war, music which encourages bravery and to uplift the spirits are played. During training, a different tune is played for different dance movements.
ORIGIN OF SILAT FOUND IN PAHANG
Silat Tari Pulut is essentially the earliest form of Malay silat found in the country, and it has no specific name. Some say it is the origin of the modern silat sendeng.
Subsequently Silat Tari Pulut evolves into other variations and forms, with various names given by the masters and exponents of the variations. Nowadays the name "silat tari pulut" is usually exhibited during ceremonies like Malay weddings and traditional welcoming ceremonies.
Silat Sendeng 2 Beradik originates from Paya Kumbuh, in the Minangkabau district of Sumatra, Indonesia and brought to Malaysia by the two brothers who founded the silat. Currently the silat is being practiced by students in Kampung Paya Luas in Temerloh, Pahang, with its master, Guru Nadzri (Mohd. Nazri Salleh).
Silat Melayu Lok Keris 9 is a silat form using the keris, the main weapon of the past Malay warriors. This silat was originally practiced and performed by royalties, and currently it is being taught and given the name by the exponent and master, Azlan Ghanie, who is also actively promoting the Malay art of self defence, as well as a silat type of exercise known as Senaman Tua.
He is also the publisher and writer of the popular monthly Malaysian martial arts magazine, Seni Beladiri.
Other forms of silat also exist especially in the very remote villages, with members consisting of a few students.
The current law and regulations require that the silat bodies need to be registered as an association or club. Therefore we find that those silat forms with very few members are those which are being practiced in a secretive way in remote areas and are taught only by invitation of the master.
We also can find other forms of silat practiced which are branches of silat from Indonesia such as the pentjak silat.
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