The second review, penned by ORICON STYLE, is also very positive, and delves into their impression of the film being “reality vs idealism”. The review goes on to vaguely describe a few scenes from the film, and continually praises the “realistic” work of Anno Hideaki and Shinji Higuchi. ORICON STYLE’s enthusiastic analysis of the film ends strongly, as they refer to SHIN-GOJIRA as the birth of a “World-Class” Japanese Godzilla Film.
Japan’s Cinema Today also released a brief review of the film, with similar praise to other media outlets. We see the word “masterpiece” used in reference to the movie yet again, hailing it as a “thrilling” experience and a true “Welcome Back!” for Godzilla in Japan. The review also likens the film to Dawn of the Dead (2004 zombie remake), referencing SHIN’s depiction of how Japan would deal with such a horrid crisis of this magnitude.
The second review, penned by ORICON STYLE, is also very positive, and delves into their impression of the film being “reality vs idealism”. The review goes on to vaguely describe a few scenes from the film, and continually praises the “realistic” work of Anno Hideaki and Shinji Higuchi. ORICON STYLE’s enthusiastic analysis of the film ends strongly, as they refer to SHIN-GOJIRA as the birth of a “World-Class” Japanese Godzilla Film.Japan’s Cinema Today also released a brief review of the film, with similar praise to other media outlets. We see the word “masterpiece” used in reference to the movie yet again, hailing it as a “thrilling” experience and a true “Welcome Back!” for Godzilla in Japan. The review also likens the film to Dawn of the Dead (2004 zombie remake), referencing SHIN’s depiction of how Japan would deal with such a horrid crisis of this magnitude.
การแปล กรุณารอสักครู่..