But this approach obscures a deeper understanding. Though the interior of the palace resembles a Mondrian painting at first glance, the designers of course had no such intention. What the Modernists admire in Katsura does not represent an early indictment of ornament, but is rather the deeply personal reaction of its designer, Prince Toshihito, to the social currents of his age.
Katsura's prestige is not lost on contemporary Japan. Unlike most of historic Kyoto, the government tightly controls access to Katsura. Special permission to visit must be obtained in advance through the Imperial Household Agency, the office in charge of the Emperor's affairs. Unfortunately, we did not know this ahead of time and were not allowed inside. Even those who get permission are not allowed to take photographs or venture into the palace.