In a Masters thesis on the literary and educational significance of the Aesopic fable, for example, there is no question as such. The work progresses from a brief introduction through chapters on the fable as a genre, the evolution of the fable, Aesopic fables, moral ideas about the Aesopic fable, agents in Aesopic fables to a final one on Aesopic fables as children's literature. The introduction is contextual and largely historical. It provides both a background and overture to the main body
of the thesis. The final chapter does not so much act as a conclusion as just another chapter in the design of the whole - one that gives particular attention to the educational dimension of the research. There is, therefore, a
trajectory and symmetry to the thesis as a whole: through definitions and history, the thesis moves towards its central chapters on the analysis of the Aesopic fable. It ends with the chapter on the fables as children's literature - actual and potential.
In a Masters thesis on the literary and educational significance of the Aesopic fable, for example, there is no question as such. The work progresses from a brief introduction through chapters on the fable as a genre, the evolution of the fable, Aesopic fables, moral ideas about the Aesopic fable, agents in Aesopic fables to a final one on Aesopic fables as children's literature. The introduction is contextual and largely historical. It provides both a background and overture to the main body
of the thesis. The final chapter does not so much act as a conclusion as just another chapter in the design of the whole - one that gives particular attention to the educational dimension of the research. There is, therefore, a
trajectory and symmetry to the thesis as a whole: through definitions and history, the thesis moves towards its central chapters on the analysis of the Aesopic fable. It ends with the chapter on the fables as children's literature - actual and potential.
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