4 Conclusion
It is clear that the Fibonacci sequence of numbers and the golden ratio are manifested in music. The numbers are present in the octave, the foundational unit of melody and harmony. Stradivarius used the golden ratio to make the greatest string instruments ever created. Roy Howat’s research on Debussy’s works shows that the composer used the golden ratio and Fibonacci numbers to structure his music.
The Fibonacci Composition reveals the inherent aesthetic appeal of this mathematical phenomenon. Fibonacci numbers harmonise naturally and the exponential growth which the Fibonacci sequence typically defines in nature is made present in music by using Fibonacci 76