On the basis of analysis we may conclude that Essberger’s writing style, as is revealed by an examination of the most prominent linguistic features in The Winepress, does not have anything unique. Very common types of stylistic features of short story writing have been found. Essberger’s style, especially with reference to The Winepress, is by no means aphoristic like that of Frances Bacon; neither is it similar to that of Dickens’s, which is universally recognized as being pompous, filled with sharp-edged irony, together with criticism so direct and forceful. This is due to the fact that this short story is written especially for teaching vocabulary and grammar. One can claim that his style is sensitive, delicate, poetic, seemingly impersonal yet emotional. In the last it can be said that the analysis of the stylistic features of The Winepress, in relation to the analysis of other literary corpus of Josef Essberger, will certainly bring out some specific features of his writing style.