Tschumi’s underlying ideology is that architecture has political and social eects and that the ideal space of political transgression
occurs at the scale of the user, or of the body in space (Ribero, 2005). The un-programmed activities occurring in La Villette can be
seen to generate space physically through fragmented space, but are also being generated by space through cinematic events in time
in ways that are completely unpredictable. In other words, Tschumi creates a function whereby ‘events’ can occur even if form and
function cease to exist. By creating an architecture of unpredictability and uncertainty Tschumi opens up a eld of possibility where
bodies can create spaces that can go well beyond architecture.