In one case, the director of a hospice nursing home facility seeks a six-month extension on his back taxes. Tim is unsure of the man's ethics, because he claims to be insolvent, yet drives a new BMW. To resolve the issue, Tim passionately asks a resident patient, an elderly bedridden woman, to tell him whether he is a "good man," only to discover that the man is punishing the woman for not eating by not allowing the nurses to bathe her.
Six months later, Tim donates part of his liver to a Child Protective Services social worker named Holly (Judyann Elder). He then finds George (Bill Smitrovich), a junior hockey coach and donates a kidney to him. He then donates bone marrow to a young boy named Nicholas (Quintin Kelley), opting to have no anesthesia during the procedure, an evident consequence of his desire for atonement. In each case he does not tell the people what his intentions are for his donations, despite being repeatedly asked.
In one case, the director of a hospice nursing home facility seeks a six-month extension on his back taxes. Tim is unsure of the man's ethics, because he claims to be insolvent, yet drives a new BMW. To resolve the issue, Tim passionately asks a resident patient, an elderly bedridden woman, to tell him whether he is a "good man," only to discover that the man is punishing the woman for not eating by not allowing the nurses to bathe her.Six months later, Tim donates part of his liver to a Child Protective Services social worker named Holly (Judyann Elder). He then finds George (Bill Smitrovich), a junior hockey coach and donates a kidney to him. He then donates bone marrow to a young boy named Nicholas (Quintin Kelley), opting to have no anesthesia during the procedure, an evident consequence of his desire for atonement. In each case he does not tell the people what his intentions are for his donations, despite being repeatedly asked.
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