This article is about the 20th-century writer. For other people with the same name, see James Joyce (disambiguation).
Half-length portrait of man in his thirties. He looks to his right so that his face is in profile. He has a mustache, a thin beard, and medium-length hair slicked back, and wears a pince-nez and a plain dark greatcoat, looking vaguely like a Russian revolutionary.
James Joyce signature.svg
Joyce in Zurich, c. 1918
James Augustine[1] Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century.
Joyce is best known for Ulysses (1922), a landmark work in which the episodes of Homer's Odyssey are paralleled in an array of contrasting literary styles, perhaps most prominent among these the stream of consciousness technique he perfected. Other major works are the short-story collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His complete oeuvre includes three books of poetry, a play, occasional journalism, and his published letters.
Joyce was born in 41 Brighton Square, Rathgar, Dublin—a kilometre from his mother's birthplace in Terenure—into a middle-class family on the way down. A brilliant student, he excelled as a student at the Jesuit schools Clongowes and Belvedere, winning gold medals and exhibitions, despite the chaotic and precarious family life imposed by his father's love of drink, gambling and good company. He was a brilliant student at University College Dublin.
In 1904, in his early twenties he emigrated permanently to continental Europe with his partner Nora Barnacle. They lived in Trieste, Paris, and Zurich. Though most of his adult life was spent abroad, Joyce's fictional universe centres on Dublin, and is populated largely by characters who closely resemble family members, enemies and friends from his time there; Ulysses in particular is set with precision in the streets and alleyways of the city. Shortly after the publication of Ulysses he elucidated this preoccupation somewhat, saying, "For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal."[2]
This article is about the 20th-century writer. For other people with the same name, see James Joyce (disambiguation).
Half-length portrait of man in his thirties. He looks to his right so that his face is in profile. He has a mustache, a thin beard, and medium-length hair slicked back, and wears a pince-nez and a plain dark greatcoat, looking vaguely like a Russian revolutionary.
James Joyce signature.svg
Joyce in Zurich, c. 1918
James Augustine[1] Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century.
Joyce is best known for Ulysses (1922), a landmark work in which the episodes of Homer's Odyssey are paralleled in an array of contrasting literary styles, perhaps most prominent among these the stream of consciousness technique he perfected. Other major works are the short-story collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His complete oeuvre includes three books of poetry, a play, occasional journalism, and his published letters.
Joyce was born in 41 Brighton Square, Rathgar, Dublin—a kilometre from his mother's birthplace in Terenure—into a middle-class family on the way down. A brilliant student, he excelled as a student at the Jesuit schools Clongowes and Belvedere, winning gold medals and exhibitions, despite the chaotic and precarious family life imposed by his father's love of drink, gambling and good company. He was a brilliant student at University College Dublin.
In 1904, in his early twenties he emigrated permanently to continental Europe with his partner Nora Barnacle. They lived in Trieste, Paris, and Zurich. Though most of his adult life was spent abroad, Joyce's fictional universe centres on Dublin, and is populated largely by characters who closely resemble family members, enemies and friends from his time there; Ulysses in particular is set with precision in the streets and alleyways of the city. Shortly after the publication of Ulysses he elucidated this preoccupation somewhat, saying, "For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal."[2]
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