Eleven square, additively joined elements make up the actual house, while another five create related, individual, covered garden spaces. Symmetry and barely perceivable asymmetry dominate the composition. Service rooms as side rooms are place in the centre. In the floor plan arrangement, an axial “gap” the width of the staircase prevent the de language of development of the grid. The one-sided garden space at the corner refers to a jump in topography, at the point where there are outside stairs on both sides. Upstairs bedrooms are arranged as a kind of crown. In this project, which remains in a conceptual phase, Khan chooses an extreme language of opening formats. The keyhole window mutates into an autonomous round arch with a central incision, representing a type of norm opening. Kahn’s rejection of functionalist opening forms is most consequently shown here.