Outcomes of his study were (amongst others) that even from birth, babies
respond actively to music by rhythmic movement en attention. In this first
year Moog found vocalisation to music – vocal babbling, beit not yet diatonic
and rhythmically amorphous (Hargreaves, 1986:64). In the second year,
Moog discovered a marked increase in the amount and variety of physical
reactions to test pieces, but a decline of such physical responses to music
during the later preschool period. Music and singing on the other hand,
become incorporated into childrens’ imaginative play. When reaching the age
of 3,4 and 5 years children were increasingly likely to sit and listen to music.
In general, at this age, children appear to internalise their responses to
music and employ it in the broader context of activities such as imaginative
play. (Hargreaves, 1986:65)
Outcomes of his study were (amongst others) that even from birth, babies
respond actively to music by rhythmic movement en attention. In this first
year Moog found vocalisation to music – vocal babbling, beit not yet diatonic
and rhythmically amorphous (Hargreaves, 1986:64). In the second year,
Moog discovered a marked increase in the amount and variety of physical
reactions to test pieces, but a decline of such physical responses to music
during the later preschool period. Music and singing on the other hand,
become incorporated into childrens’ imaginative play. When reaching the age
of 3,4 and 5 years children were increasingly likely to sit and listen to music.
In general, at this age, children appear to internalise their responses to
music and employ it in the broader context of activities such as imaginative
play. (Hargreaves, 1986:65)
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Outcomes of his study were (amongst others) that even from birth, babies
respond actively to music by rhythmic movement en attention. In this first
year Moog found vocalisation to music – vocal babbling, beit not yet diatonic
and rhythmically amorphous (Hargreaves, 1986:64). In the second year,
Moog discovered a marked increase in the amount and variety of physical
reactions to test pieces, but a decline of such physical responses to music
during the later preschool period. Music and singing on the other hand,
become incorporated into childrens’ imaginative play. When reaching the age
of 3,4 and 5 years children were increasingly likely to sit and listen to music.
In general, at this age, children appear to internalise their responses to
music and employ it in the broader context of activities such as imaginative
play. (Hargreaves, 1986:65)
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