If painter Jan van Eyck’s marriage picture is solemn and Henri Rousseau’s
more than a little grim ,marc Chagall’s Bride and Groom of Eiffel Tower might best be described as a romantic fantasy Chagall ,who was Russian-born ,lived and worked in Paris for long periods during his career. The Paris skyline was a beloved vista ,so he portrays his bride and groom ,in their wedding garb ,floating past a solid blue version of the couple appear to be carried on the back of a giant bird, a favorite motif of Chagall’s ,perhaps symbolizing spiritual union. Other images refer to artist’s roots in a Russian-Jewish village At center left is a tiny rendering of the wedding scene, under the canopy prescribed by Jewish rites. There are two fiddlers---another favorite motif ---one superimposed over the bird seemingly perched on the tree.
If painter Jan van Eyck’s marriage picture is solemn and Henri Rousseau’smore than a little grim ,marc Chagall’s Bride and Groom of Eiffel Tower might best be described as a romantic fantasy Chagall ,who was Russian-born ,lived and worked in Paris for long periods during his career. The Paris skyline was a beloved vista ,so he portrays his bride and groom ,in their wedding garb ,floating past a solid blue version of the couple appear to be carried on the back of a giant bird, a favorite motif of Chagall’s ,perhaps symbolizing spiritual union. Other images refer to artist’s roots in a Russian-Jewish village At center left is a tiny rendering of the wedding scene, under the canopy prescribed by Jewish rites. There are two fiddlers---another favorite motif ---one superimposed over the bird seemingly perched on the tree.
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