Pieces that don’t fit inside the temples are considered modern. They are created by artists who have modern stimuli. Albeit in modern surroundings, they have evolved with a different approach to visual representation of objects than that of their Western counterparts. They are still representative of the modern world and the real and conceptual problems that come with it. As the pollution and poverty of the world’s largest primate city increases, so do the number of new young artists who are painting about it, talking about it and using their traditional skills in the new modes of expression that they seek out.