The intention in most of my works is to produce time-based spatial installations. The task of technology is to enable and to control the movements that evolve out of these concepts in space. Further important themes of these works are to discuss the difference between the linear thinking of digital programming and the complexity of a ready-made “natural/biological” object. I seek after new emerging objects that develop out of process-oriented functions and develop from this symbiosis between natural/biological functions. In “Biological Instrumentation”, a natural process, a found algorithm (ready algorithm) was placed within a digital process like an organic class or external. The plant is turned into a part of the program which controls the time-based aerial composition. They are embedded and translated into the coding of an algorithm that incorporates the organic processes of the plants with the construction of a soundspace