In the 1980s Spero optimized her method of making prints by hand. Her own drawings, and other visual material she acquired - some of which was retouched and reworked - were turned into masters for prints and stamps. A cornucopia of distinctive motifs was the result. Diverse color palettes, combined with cut-out, gouache collages, enhance the many facets and expressiveness of the figure, which always appears in front of an open background. Artistically, this style culminated in the four-part work, Sky Goddess (1985). In six panels, Spero renders homage to the beauty, power, and strength of woman - triumphant, floating, and in harmony with her own body.