The meaning and information obtained from the interpretations of women‟s bodies appearing in the magazines, and the creations of visual art work based on the research can be conducted concurrently by starting with research to give some ideas for the creations of the art work. These two parts can well support each other.
The answers obtained from the research do not seek for an in-dept meanings of the bodies according to the sociology dimension. Rather, the answers obtained from the interpretation of the bodies appearing in the advertising media of the consumption societies found in the first part (research reports) are those involving with various dimensions which were connected with the ideas of social classifications. This makes human bodies become tangible and maintain status according to the levels of taste, position, occupation, gender and age. They, thus, try to create the identity of the body created in conjunction with products or merchandises, solicitations, symbol, and different meanings that represent the bodies and eventually become meaningful for people. So, the body image appears in different dimensions in accordance with the directions of the human taste and desire. All these are of accepted mythical ideas that still continue without any objections.
From what mentioned above, the researcher set the hypotheses and analyze all these phenomena by using sociology dimensions, semiotic, and visual art principles yielding the answers which are the meanings of different types of the body according to the empirical evidence.
When the two mentioned parts were concluded together, it was found that the creation of pieces of art based on the knowledge and information from research can become a much useful guideline for arts and academic arena due to the fact that in the arena of art work creations, they give most of the importance to the practical creations rather than the explanation of the origin of the ideas and the mechanical systems including different working steps which would be beneficial for the researcher and relevant interested people to know and understand completely about the creative research. Hence, the research methodology, used as a data base for the creative work appearing in this doctoral dissertation, can be an example of what the researcher defines as „creative research‟ of which the researcher can conclude its methodology in terms of the simulated pictures for the individual working on the two mentioned parts showing input, process, and output as in pictures