In 1992, McQueen presented a master’s-degree collection entitled “Jack the Ripper Stalks His Victims.” (At Givenchy, he based a collection on the character of a “mad scientist who cut all these women up and mixed them all back together.”) There is a lot of sympathy for the Devil in McQueen’s work. Bolton suggests that you consider it as “a meditation on the dynamics of power, particularly the relation between predator and prey.”