The style constitutes a visual reflection of economic and political transformations in Poland and a symbol of the romantic turning point, in which “everyone could be who they wanted to be and where everything was possible”. “TypoPolo” is perceived in the circles of professional graphic artists mainly as a sign of the ineptitude and bad taste of amateur designers. Much less frequently it is seen as a form of the visual language of a certain social group or the evidence of the changing aesthetics. It combines what is worst and what is best in Polish applied graphics – being the manifestation of kitsch, amateurishness and crudeness on the one hand and incorporating authenticity, guilelessness and straightforwardness on the other.