According to architectural historian and Wright scholar Bruce Brooks Pfeiffer, “When he received a commission for a church for the Milwaukee Hellenic Community, Wright consulted his wife, who was brought up in the Greek Orthodox faith, about the predominant symbols of the church. “The cross and the dome,” was her reply.”[2] These two architectural forms dominate the design. The floor plan itself is a Greek cross. Wide arches support the upper level, or balcony. The roof dome sits atop an inverted dome, or bowl. Through simplification and abstraction of the forms, Wright succeeded in artfully translating the cross and the dome from their historical Byzantine context to the vastly dissimilar setting of the twentieth-century American Midwest.
While Wright’s design was inspired by traditional Byzantine forms and the Hagia Sophia in particular, the church was not meant as a purely historicist tribute; rather, it was an update and reinterpretation of architectural forms very much alive. In a letter dated September 9, 1958—when the project was well into the working drawings stages—Wright explained: “The edifice is in itself a complete work of modern art and science belonging to today but dedicated to ancient tradition—contributing to Tradition instead of living upon it