While promoting her work on the art fair circuit in Tokyo (a culturally specific phenomenon where individual artists pay to represent themselves in small booths), and perhaps as a way to appropriate the economy of signs described above, Miyazaki has started to sell merchandise such as tote bags and buttons of her images. Miyazaki is keen to use her clients as means to ‘exhibit’ her work on the street. The implication of this methodology is clear: similar to the way her Tumblr followers share her photographs, Miyazaki is bypassing the regimented structures of the gallery system by opening up her work to new audiences.