Gender, sexuality, and race is embodied in recent Disney animated films. The thesis aims to examine the Disney heroine as an idealised form of white femininity made of perfected flesh.The idealised white female body is made to
express cultural norms which privilege heteronormative white patriarchy, to the
exclusion of Other, queer, raced, and feminist identity formations and ways of
being.
Gender, sexuality, and race is embodied in recent Disney animated films. The thesis aims to examine the Disney heroine as an idealised form of white femininity made of perfected flesh.The idealised white female body is made to
express cultural norms which privilege heteronormative white patriarchy, to the
exclusion of Other, queer, raced, and feminist identity formations and ways of
being.
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