Abstract:
From the special project of 4th Moscow Bienalle of Contemporary Art 2011, ”Rewriting Worlds: Dada Moscow’.’ Curator: Adrian Notz, Cabaret Voltaire, Zurich.
One needs to go on a run simulator to start up the process (a social mechanism). On one hand, one feels himself as the God, because the moving of the mechanism depends on his steps and on the other hand he is only one figure amongst the others.
The consciousness of visitors is bisecting – does the society absorb each of us? Or are we ourselves absorbed by this enslaving mechanism?